Written Music, Chords or Both
Some arrangements are completely written out. Most are chords with or without written out intros, figures, interludes and solos.
Song Arrangements for Listeners of my YouTube Channel
This page is for all the kind people who ask me for arrangements of songs that I play on YouTube. As such, any and all of these songs are for you to take to enjoy learning and playing. People have offered to pay me, but I respect copyrights and more so enjoy freely sharing what I love.
Songs are in no particular order. They are posted as requests come in. To search fo a specific song from my YouTube channel, or to see if it is posted, use CTRL-F to save yourself much time.
And if there is a song from my YouTube channel you would like me to post feel free to contact me. I will do my best to post your request in a timely manner. Happy playing!
SHEET MUSIC/ARRANGEMENTS POSTED BELOW: TABLE OF CONTENTS
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BRING IT ON HOME TO ME – ANIMALS
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HELLO AGAIN – NEIL DIAMOND
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YOU’VE GOT A FRIEND – JAMES TAYLOR
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WITHOUT YOU – HARRY NILSSON
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WILD HORSES – ROLLING STONES
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THE WAY IT IS – BRUCE HORNSBY
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TIME IN A BOTTLE – JIM CROCE
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SOUTHERN CROSS – CROSBY, STILLS & NASH
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PURPLE RAIN – PRINCE
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OLD MAN – NEIL YOUNG
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NEVER GOING BACK AGAIN – FLEETWOOD MAC
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KNOCKIN’ ON HEAVEN’S DOOR – BOB DYLAN
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INTO THE MYSTIC – VAN MORRISON
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I’LL HAVE TO SAY I LOVE YOU IN A SONG – JIM CROCE
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I GOT A NAME – JIM CROCE
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HEART OF GOLD – NEIL YOUNG
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FREE FALLIN’ – TOM PETTY
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THE CRYSTAL SHIP – THE DOORS
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CITY OF NEW ORLEANS – ARLO GUTHRIE
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BROWN EYED GIRL – VAN MORRISON
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WALK AWAY RENEE – LEFT BANKE
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UNCLE ALBERT/ADMIRAL HALSEY – Paul McCartney
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NINETEEN HUNDRED EIGHTY FIVE – Paul McCartney
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LET ‘EM IN – Paul McCartney
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JUNK – Paul McCartney
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IMAGINE – John Lennon
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NORWEGIAN WOOD – Beatles
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DON’T BOTHER ME – Beatles
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ALL I KNOW – Art Garfunkel
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SENTIMENTAL LADY -Bob Welch
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THE KING MUST DIE – Elton John
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FUNERAL FOR A FRIEND/LOVE LIES BLEEDING – Elton John
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Page 2 is cut off at the bottom – so appears below from top to bottom (but with smaller text and shifted fingering).
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MAKE ME SMILE – Chicago
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RIDE LIKE THE WIND – Christopher Cross
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GREY SEAL – Elton John
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GETTING IN TUNE – The Who
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LADY SAMANTHA – Elton John
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BREAKING UP IS HARD TO DO – Neil Sedaka
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REVERIE / SONG FOR GUY – Elton John
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WOULDN’T IT BE GOOD – Nik Kershaw
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VALOTTE – Julian Lennon
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THIS SONG HAS NO TITLE – Elton John
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THEME FROM HILL STREET BLUES – Mike Post
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STILL THE SAME – Bob Seger
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SOMEONE TO LAY DOWN BESIDE ME – Linda Ronstadt (Karla Bonoff) (1976)
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SHOWER THE PEOPLE – James Taylor
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SATURDAY IN THE PARK – Chicago
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RUBY TUESDAY – Rolling Stones
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ROSALINDA’S EYES – Billy Joel
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ROMEO’S TUNE – Steve Forbert
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REFLECTIONS OF MY LIFE – Marmalade
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PRIDE (IN THE NAME OF LOVE) – U2
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PHOTOGRAPH – Ringo Starr
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PEACE TRAIN – Cat Stevens
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MIND GAMES – John Lennon
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LOOK WHAT YOU’VE DONE TO ME – Boz Scaggs
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LEADER OF THE BAND – Dan Fogelberg
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IT’S ALL I CAN DO – The Cars
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I SAW THE LIGHT – Todd Rundgren
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I AM THE WALRUS – The Beatles
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HONESTY – Billy Joel
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HOMBURG – Procol Harum
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GIVE IT ALL YOU GOT – Chuck Mangione
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DIAMONDS AND RUST – Joan Baez
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CASTLES IN THE AIR – Don McLEAN
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A WHITER SHADE OF PALE – Procol Harum
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HELLO IT’S ME – Todd Rundgren
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BRANDY – Looking Glass
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SOMETHING – Beatles
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DAISY JANE – America
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BETTER OFF DEAD – Elton John
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RUNNING ON FAITH – Eric Clapton
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HANDBAGS and GLADRAGS – Rod Stewart
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WILD WORLD – Cat Stevens
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WHILE YOU SEE A CHANCE – Steve Winwood
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SO. CENTRAL RAIN (I’M SORRY) – R. E. M.
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SAMBA PA TI – Santana
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Helpful Comments about Samba Pa Ti:
In measures where there are whole notes in the bass clef I add rhythmic motion on the basis of feel. Also on page 2 “RH chordal accompaniment” means that the right hand contains not only the written notes but also at the beginning of each chord the full chord is completed below the melody line with the right hand. Finally the improvised section is not transcribed all the way to the fade out. I just simply end the song at the end of the second page and improvise my own lines until I end it by going back to measure one and two on the first page.
FEELS SO GOOD – Chuck Mangione
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BABY BLUE – Badfinger
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Helpful Comments about Baby Blue:
A lower case letter to the right of a chord in parentheses means that the note with that letter is the highest note in the right hand chord. Each of the FIG. numbers cue you to find and play that particular Figure on the page with the notes and staff. The down arrow helps yo find which octave a Figure is starting on (in case you cannot immediately find the Figure on the other page). Finally, a lower case letters in italics under a slash refers to a bass note with a chord. For example, C#m /b means to start on with the C# minor chord in the right hand and a C# as the bass note. Once the /b appears the C#m chord continues to play in the right hand.
Pretty Ballerina – Left Banke
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LET ME ROLL IT – Paul McCartney
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